Monday, November 11, 2013

How will you remember?

This is a repeat of a post from last year. 
Thanks to Studio Tour artist Grace MacPherson for sharing her memories of
her experience serving Canada during World War II. 


In 1943, Grace MacPherson was Grace Gauntlett...


Studio Tour artist Grace MacPherson, RCAF WD, 1943-45
"If you had good marks in your final year at school, you could leave early to join the Armed Forces. I went and saw a film, “We Serve That Men May Fly.” It was all about serving in the Air Force, and I thought that if I enlisted I would be sent to England. My brother John was in the RAF and was ferrying planes between Lagos and Britain. Later he was posted to Burma. At age 18, I enlisted and my mother didn’t really approve of what I was doing.

The Air Force was recruiting women to take over jobs, allowing the men to serve overseas. I was happy to be chosen for training as an operational clerk. This was a very selective course and top secret. We would be getting information from radar stations and plotting it on grid maps so they could be identified as friend or foe.
The enlistment poster that inspired Grace to join

We heard we were going to the West Coast, Victoria and were stationed in a lovely old home. It was at one time earmarked as a government house. It was called Kildonan House in the ritzy Rock Bay area. The officers lived in the house and we had barracks, which were built on the extensive grounds.


We had four shifts; the operational room had to be manned 24 hours a day. I was on D shift and about 12 of us living and working together became a happy family. We had a lot of time off, as the work was considered stressful, and our work area was located in the basement of the Belmont Building, across from the Empress Hotel. I would have to be checked by service police when I entered and left.


We were connected to several isolated radar stations on the West Coast: information was relayed to us by radio telegram. We plotted it in on a grid map. If the identification couldn’t be made, Fighter Control would send up an aircraft to check. Sometimes a plane from the training base would get lost and it was through the radar and the Filter Ops that they were located and saved. Another time a plane went off course and was headed for the mountains, and they were alerted on time. There was an aircraft detection post on top of the Belmont Building, and we manned it during the day shift. We had to identify, if we could, anything that we saw. We also took calls from civilians who were also looking out for aircraft activity.

Our time off gave us the opportunity to travel up and down the island, to Vancouver and to the States. Our commanding officer would give us a letter of introduction, and we could go and get second priority on the planes. First priority was the wounded. We flew from Seattle to California and across to St. Louis. Another time we just hitchhiked. Everyone was kind to those in uniform. We never had any trouble we couldn’t handle.
Here, Grace (2nd from the right) and her fellow WDs pose for a photo that later appeared in the newspaper.

Once coming home on leave I used every form of transportation: ferry, train, plane, bus, and hitchhiking. Stopping at Thunder Bay, and looking out of the window, I saw the faces of young, fair-haired boys waiting in the bus beside us. They were German POWs waiting to be transferred to one of the camps.


 VJ-Day came and we paraded in Victoria. It was an exciting day for everyone. We went to a service at Beacon Hill Park—lots of service personnel there. The speeches were getting a bit too long so someone set fire to the grass and that caused a diversion. There was a big dance in one of the hangars. Aircraft took off and bombed the station with toilet paper!

Shortly after, I was given my discharge and I went to Vancouver for the final paperwork. I received $210 for my two-and-a-half years in the service. I was happy to be going home, though not regretting one moment I spent in the Air Force, to serve “that men may fly.” Maybe I didn’t get to England, but I found good friends, travelled across Canada by train and the United States courtesy of the government. We were told that our presence on the West Coast saved many lives, and prevented many serious accidents and loss of life."

 
In 2008 Grace attended a WD reunion in Ottawa; she stands beside a WD plaque that was unveiled at the War Museum

To Grace and the thousands of other Canadians who have served, we thank you.

Monday, October 28, 2013

Thank you

The 13th Annual Stouffville Studio Tour was a huge success. Thank you for your continued support. We had record crowds again this year.

We would also like to thank all of our sponsors. They make it possible to advertise all over the GTA in print and with our brochure. Here is a link. We encourage you to patronize them year round.

Special thanks to the Town of Whitchurch-Stouffville, the Stouffville Free Press, the Shoppes of Stouffville newsletter, the Stouffville Sun Tribune and Stouffville Whistle Radio.

We are already starting to think about next year.
Please keep checking our social media ..... there will be lots of news about our artists.

Thank you again!

Friday, October 18, 2013

All set

Well we are all set to go!

Its a great Studio Tour - meet the artists, see wonderful art, a fun way to spend some time this weekend. We look forward to meeting you ..... look for our signs!

October 19 - 20  10am to 5 pm

Allison Bullock

Allison Bullock has a section on her website called "On My Easel"
See some of her behind the scene insights ...... and make sure to stop by Studio 15 to see her work as well as her mother Diana and her grandmother Grace.



Thursday, October 17, 2013

Colin Whitebread

Colin is presently teaching an acrylic painting course for adults at Latcham Gallery. He finds it
exciting watching people fulfill a bucket list goal of finally taking time to be creative.

Colin has over 20 new pieces for this years studio tour. Here are a few samplings! Make sure to visit Colin at Studio 8




Bill Brennan

Bill Brennan is a self taught painter of the past ten years. He works in what he calls the forgiving medium of wet on wet oils.He also paints in acrylics and covers almost all subjects but people and animals. He regards painting as a life long learning experience.

Bill is at Studio 1





Wednesday, October 16, 2013

Grace MacPherson

Grace MacPherson has done many things in her life including serving in WWII in the Canadian Air Force.

She didn't begin painting until she retired and discovered her love of watercolours. Her delicate paintings have won numerous awards and she continues to be a very prolific artist.

Stop by and see Grace's work along with her daughter and granddaughter at Studio 15 on this years Tour

Country Home

Tuesday, October 15, 2013

Ed Keith

Ed Keith shares some great dramatic pictures with us of his recent Raku firing.
The second picture has horse hair burning on the piece!
Make sure to check out Ed's work at Studio 5 on this years Tour



Saturday, October 12, 2013

Carin Bacher

Take Part....In Art!
 Carin shares with us

An integral part of Canada’s heritage, the magnificence and beauty of the Totem sadly almost became a lost art.

In the 1800’s this majestic art form very nearly met its demise through the implementation of “assimilation” legislation.






In what year was the law prohibiting totem carving repealed? 1892, 1914, 1927, 1936 or 1951?

To learn the answer and more interesting aspects of totem carving we invite you to visit
Studio # 1 during the tour.

Friday, October 11, 2013

Wendy LaValle

Here's a preview of encaustic artist Wendy LaValle's new series "But sweet will be the flow'r" .  Inspired by William Cooper's beautiful poem "Light Shining out of Darkness".





Visit Wendy at Studio #2...and see the whole series.

Thursday, October 10, 2013

Important please note

Due to unforeseen events, the studio of John Roberts (location 16) will not be open for this year's Stouffville Studio Tour. 

We apologize for any inconvenience.

Lis Simpson



Here’s some of the completed projects of Lis Simpson. Her earlier blog post is here



The first projects were done on chemical powders to provide textures underneath the glass.  This one is called “Autumn Joy”!


Then we did some interesting pieces using molds to create either a plaster model or one of glass frit.





 We took a real strawberry and created a mold by forming sculptural plaster around it.  After firing with glass frit in the kiln, we ended up with a real glass strawberry!




Lastly we did the process I really wanted to learn – lost wax casting.  Here are the 3 models we worked from.  The first was the white Sculpey model from which we made a urethane mold.  We poured sculptural wax into the mold to create a wax model.  Then we created a plaster mold, like with the strawberry and steamed out the wax.  Lastly filling the mold with glass frit my green glass frog emerged from the kiln firing!




Come see some of these art objects at the Stouffville Studio Tour. 

LIs is a guest with Deb Kirk in Studio #4 on this years tour.

Wednesday, October 9, 2013

Ray McNeice

"Ah, the glorious colour of Autumn in Canada! Ray McNeice had sketched this
scene in the summer a couple of years ago. He decided, before the leaves had
all fallen, that he would paint a watercolour and turn it into an exercise
in expressing the beauty of the Autumn season."



Make sure to visit Ray at Studio 18.
Bonus to this Studio is 3 other artists, Margaret Grandison, James Wilkes and Marie Messina

Sunday, October 6, 2013

John Roberts

Please note:  
Due to unforeseen events, the studio of John Roberts (location 16) will not be open for this year's Stouffville Studio Tour. We apologize for any inconvenience. 

Our own Studio Tour artist John Roberts has a famous connection. He was a student of Norman Rockwell then teacher with him. 

John has a copy of a portrait that he did of this famous American artist. 



Saturday, October 5, 2013

Karen Wootton



This is a slumped plate with pansies.

One of the latest pieces created for the Stouffville Studio Tour!

Karen Wootton Studio #12

Thursday, October 3, 2013

Valerie and Jara

Studio Tour artists Valerie Ashton and Jara Niekraszewicz kindly share some photos of their studio as it looks now; Valerie says:

"Jara & I are gearing up for the studio tour. This is what my studio looks like before we clean it up for the tour weekend. I know it looks chaotic but we actually do get work done."

Stop by their studio #9 on this years Tour








Wednesday, October 2, 2013

Marie Messina

Marie Messina's pottery is always in high demand
Here are some of her latest pieces


1-to be bisque fired
2- to be glazed

3- glazed and ready for final firing

Marie says
"I’m trying to get it all done.
Hopefully I will get there before the start of our tour."

Visit Marie at Studio # 17

Tuesday, October 1, 2013

Karen Wootton

Also back from sabbatical is Karen Wootton

Here is one of the latest creations being added to the Stouffvile Studio Tour. I

It is a classic black & white table lamp that is a combination of flame working, fusing and draping of glass.




Karen's Studio is number 12 on this years tour

Monday, September 30, 2013

Dianne Green

After a couple of years sabatical we welcome back Dianne Green
She is getting ready for the Studio Tour. Please visit her location number 11.





Saturday, September 28, 2013

Introducing Jane McLellan

 Allow us to introduce one of our new artists Jane McLellan 

Jane shares with us
I am the  mom of two wonderful girls,  have a terrific husband and am a social worker.  After a serious accident about four years ago, I learned that life can be very  fragile and that you need  to value an live every moment.  I turned to painting glass and my skills have evolved.  I find it rewarding to create unique designs and paint every day items  that can be enjoyed  on any special occassion!

Welcome Jane at her studio location number 14.


Monday, September 23, 2013

Lis Simpson



Thanks to Lis Simpson for sharing her new work with us. 

Lis will be at Studio 4 along with Deb Kirk, Florence Booth and Rita Staniford.
Four artists, one location!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
During a spiritual retreat this summer, a new artistic vision came:

Creating exquisite, small art glass of light, colour, and texture for inspiration and transformation – beads and beyond into objets d’art!  Look deep inside to see what may come.

Immediately after I went to a four-day intensive workshop in Advanced Fusing at Glasstronomy Studio in Markham. The primary focus of the workshop was using and creating molds for glass fusing in the kiln.

This is one of the projects we did, and some pieces I have made since for the studio tour:  making and using plaster cast models.

We used flexible molds into which we put the plaster slurry.  Remember to be careful when disposing of plaster – never put it down your drain!



 
I love shells and other objects from the sea.  Doesn’t this look perfect?


 


Next we needed to build the frame on the kiln board to hold the objects and to put the glass over them.


We were doing two blocks at the same time so there was a common wall between them.  In one of the blocks I put a fern leaf to look like seaweed as well as plaster shells.  The smaller block merely held a plaster shell.

Then we had to continue to reinforce the walls so the molten glass in the kiln wouldn’t leak out!  Don’t want a mess!



In order to cover the objects well, we put in clear glass frit, which is tiny bits.  We covered the objects up to their tops.  I also added some blue and green frit to the smaller block which had the single shell.

We added several sheets of clear glass to the very top and into the kiln they went (Glasstronomy uses a large kiln, so there were two different projects being fired at the same time.  See my pieces on the bottom right?)  What a wonderful surprise when the firing was complete!

Here’s the front view.  The fern burned away too much, and I couldn’t see but just a faint image.  So I decided to use glass paint to fill in the “seaweed”.





Here’s the second block with the blue and green tint and the single shell.

 
‘Course, then I wanted to make some more at home.  Others like this one will be at the Studio Tour in October.  I have such a fantastic time creating with glass.